1
00:00:20,133 --> 00:00:21,399
is the beginning of jewels and Jim

2
00:00:21,400 --> 00:00:22,533
the first three or four minutes

3
00:00:22,533 --> 00:00:24,566
which influenced the style of Goodfellas

4
00:00:24,566 --> 00:00:25,733
and casino and Waffle

5
00:00:25,733 --> 00:00:26,899
Wall Street and so many

6
00:00:27,000 --> 00:00:27,666
but here you see

7
00:00:27,666 --> 00:00:29,599
I think a lot of it has to do with the

8
00:00:29,766 --> 00:00:33,099
relentlessness of the voiceover and the rapid speech

9
00:00:33,100 --> 00:00:35,733
and also the pace of the music under it

10
00:00:35,733 --> 00:00:37,266
it's pushing the images forward

11
00:00:37,266 --> 00:00:40,333
pushing all of this storytelling forward

12
00:00:40,333 --> 00:00:42,566
they're saying so much about each character

13
00:00:45,766 --> 00:00:47,133
there's no connection

14
00:00:47,133 --> 00:00:50,166
straight narrative with the images just goes everywhere

15
00:00:52,066 --> 00:00:52,933
particularly this moment

16
00:00:52,933 --> 00:00:53,966
when he's introduced to the girls

17
00:00:53,966 --> 00:00:56,033
that image comes on very quickly and leaves

18
00:00:57,466 --> 00:00:58,733
the pans now

19
00:00:58,733 --> 00:01:02,433
the change of locations is something that is

20
00:01:02,800 --> 00:01:05,233
completely unexpected

21
00:01:05,266 --> 00:01:07,566
but here between the voiceover

22
00:01:07,566 --> 00:01:09,299
the movement of the actors in the frame

23
00:01:09,300 --> 00:01:10,966
the compositions in each frame

24
00:01:11,166 --> 00:01:13,799
and the driving force in the music

25
00:01:13,800 --> 00:01:15,800
the beat of the music under all of this

26
00:01:16,000 --> 00:01:16,966
gave any impression

27
00:01:16,966 --> 00:01:20,599
the possibility of doing an entire film this way

28
00:01:20,966 --> 00:01:22,566
or at least having the freedom

29
00:01:22,666 --> 00:01:24,133
feels like it's a sense of freedom

30
00:01:24,133 --> 00:01:25,733
anything can happen any moment

31
00:01:25,733 --> 00:01:28,566
you weren't tied to a direct story

32
00:01:29,200 --> 00:01:29,900
even in this

33
00:01:29,900 --> 00:01:31,600
even if it was a story

34
00:01:31,800 --> 00:01:35,266
to the extent of a character walking in a scene

35
00:01:35,266 --> 00:01:35,933
sitting down

36
00:01:35,933 --> 00:01:38,199
getting up walking around or walking in a park

37
00:01:38,200 --> 00:01:43,233
this is a narrative is completely fractured I think

38
00:01:44,133 --> 00:01:46,999
by this extraordinary sequence


